Guys, these postage stamps are just begging to be adhered to some bee and butterfly embellished envelopes! Viva pollinator mail art!
Let us now praise pollinating insects.
- We need them so we can eat food!
- Bees are endangered due to pesticide use!
- My name, Melissa, means honeybee!
- I made a short film about a rooftop beekeeper in Brooklyn a while back!
- Lovely, gentle, helpful, bees often get mistaken for aggressive wasps and hornets!
- Most “bee stings” are actually wasp stings!
- Butterflies are wonderful, helpful, and endangered too!
- Planting milkweed and other native, flowering plants that attract pollinators in your yard or stoop or window box can help bees and butterflies!
Not sure if all those exclamation points were needed but I do love bees and butterflies and am glad that the USPS has issued these Protect Pollinators stamps. Buy some!
Oh, there I go again.
Viva Snail Mail lives! We were hacked and had to be rebuilt but thanks to tech savvy, ceramic artist Nathan Gwirtz, we are back. Phew.
So some film-makers in England are making a short film called Eduardo Munez and they need a lot of handwritten, interesting letters to use as props. The mysterious main character receives a lot of mail. Want to make some mail for a movie? A movie about mail? Here are all the details you will need to send mail to Eduardo Munez.
Viva Snail Mail!
Last year when I was teaching mail making in an after school program, one of the kids in the class wanted to send mail to strangers. I loved her idea and its creative potential.
We didn’t do it but collage artist Ben Peberdy did. Unfortunately his mail art project drew the attention of the FBI, who showed up at his Vermont home with a few questions! Here is Peberdy’s project description from his website, Deluxe Unlimited:
Since August 5th, 2013, I have been making an original piece of postcard-sized collage artwork each day and mailing it out to random individuals. I find the addresses listed on Google Maps. I intend on producing 365 pieces, completing the project on August 5th, 2014.
I started doing this for two reasons. The first was to provide an opportunity to continuously make collages, without repeating myself. The second reason was that I was excited to get my artwork out to a very different, far more diverse audience. The people who come to see my stuff at galleries tend to be part of a fairly insular New England art community, and this was a chance to get these various ideas and images out into some fresh minds.
I anticipated far more responses than I have thus far received, although those that did write back to me were generally pleased with their postcard. However ”Another Disaster” resulted in my being investigated by the FBI. I briefly considered stopping the project, only to become even more determined to see it through.
What do you think of Peberdy’s project?
I went to the Whitney Biennial this past weekend with my honey. I was a bit overwhelmed by the size of the show and it took me a little while to acclimate to being there. It didn’t help that everywhere I looked, people were checking their phones, including a security guard! I was like, is anybody focusing here?! Is this the new normal? After a bit I settled in and connected to some work. Nothing made my heart sing but I did like the mail art pieces by Moyra Davey. Check them out.
Look at the fantastic mail I received from my dad! The Good Mail Day book is full of excellent suggestions for making mail art and as my son pointed out, there are even stickers in the back!
My son made these envelopes for a dinosaur art envelope contest that was hosted by the dinosaur illustrator James Gurney. They were fun to make and mail and Gurney returned the favor by sending my son a package that contained some self promoting material and a dinosaur doorknob hanger. It reads, “Do not enter. Violators will be eaten.” and is currently hanging on my son’s bedroom doorknob but I just ignore it.
This has got me thinking about hosting a Viva Snail Mail envelope art contest. Wanna? I am imagining envelopes adorned with hand written praise for postal workers, watercolor illustrations of mailboxes, love letters drawn on the outside. First 20 submissions win a pony? Or some envelopes? Please hit me with some suggestions of how to actually do this. And if you work at an art space, can we hang our envelope art show on your walls in 2012?
There is an exhibition and event series at Esopus Magazine’s Gallery in Manhattan called “Ray and Bob Box” and its made up of correspondence between Ray Johnson and his friend, Bob Warner. Ray Johnson was a multi-media artist who started the New York Correspondence School, a network of people who sent each other stuff in the mail. Johnson, the father of Mail Art, is one of my heroes, for sure, except for the suicide part. Warner will appear at the gallery to open 13 boxes of mail he received from Johnson over the years. The show is up until June 30th and the box opening schedule is here.
If you aren’t in the New York City area, get your hands on the current copy of Esopus Magazine, in which there is an interview with Bob Warner and some very convincing pullout reproductions of mail sent to Warner by Johnson. The magazine comes out twice a year and is absolutely gorgeous. You can look up where to find Esopus magazine here and after you buy the Ray Johnson issue, consider becoming a subscriber. I’m gonna!
Kids’ mail has been very much on my mind. I am going to host an art making project for kids of all ages at the Greenwood Playground Flea Market in Brooklyn on May 7th called “Make Mail” and I am very excited! So when I discovered boys in capes quietly making supermail in my living room, my heart swelled with love and pride.
Alex Norelli is immersed in a cool mail art project called “Post-Art Poetry.” I heard about it through a friend, went to his website, and picked out a card. He mailed me that stamped, self addressed postcard. I wrote poetry, inspired by the artwork on the postcard, and mailed it back to him. Fun!
Here’s what Alex has to say about Post-Art Poetry:
The reasons I wanted to start this project are many…. but in reality it started when I was at the Moma and found these postcard sets on sale…and all the art was awesome and I had seen almost none of it before. I wanted to share them with people, but also wanted people to really look at them, but not just look, and to do that I felt the assignment of writing poetry from them was good. Also the idea of sending the cards out to get them back was very alluring….Imagining the routes the cards take, admiring the stamps…also everyone’s handwriting….something email really lacks.
I’ve also been a postcard collector for some time…nothing schnazzy, just picking up the odd card here and there. I also just “inherited” a collection of my grandfather’s when my grandmother passed away…he was in a postcard club and they sent cards to each other from everywhere…there’s even one sent from Mount Everest in the 70’s. Going through his collection is the wildest world journey….its funny how something as small as a postcard can transport you so quickly and acutely to a distant moment or place, or consciousness.
From what I’ve heard back from participants they are really getting a lot of out this project, people are really enjoying the task of looking at art to create art. I think its empowering and freeing, and seems to be making people more creatively courageous. I don’t think this project would function as well if it were all done online…it wouldn’t be limited by the actual physical cards, which give everyone an equal space to do their work. And I think postcards are pretty humble and their size “forces” the best/strongest/poetry to the top.